Those who love popular ceramics, and in general the artisan traditions of the Sicilian land, owe a great debt to Maestro Mario Iudici.
Since the 1960s, this ceramist from Caltagirone has dedicated himself body and soul the rediscovery of a popular production, which was in danger of gradually disappearing.
It was a courageous choice: at that time, the process of revaluation of popular art by scholars and collectors and,
devoting to traditional ceramics, risked being a commercially unsuccessful operation.
We owe it in large part to Maestro Iudici and his love for traditions , if popular tools, once very common in the Sicilian countryside and towns, were not prematurely relegated to museum showcases only, and if up to now there has instead been a continuity of production. The Maestro has continued to create, for enthusiasts and collectors, the objects of the Calatina tradition: anthropomorphic oil lamps, saimere for conserving pork suet; quarter to
fill the water at the public fountain and bùmmoli to keep it fresh; u scutiddaru to do the laundry; muds - large dishes for drying tomato extract in the sun; cylindrical burmias of various sizes to preserve various foods; the tablets of Madonnas and saints to be affixed to the bedside to protect
those who slept there, and so on.
But Iudici is also a refined potter, able to create objects which, while drawing on iconography and motifs from the past, have the characteristics of a unique
piece and artistic ceramics.
To rediscover this charm and this unique character, Giacomo Iudici – direct heir to the family tradition – created the whistles modeled with local clay
extracted and purified by hand, depicting Saints and Patrons. On the whistles it is possible to admire the thousand nuances that the handcrafted clay possesses:
characteristics that make these pieces special and bring them closer to the ancient production traditions of the Calatini potters.